Punchdrunk: the challenges of online, offline, time and space
Pete Higgin is enrichment director at Punchdrunk, the British theatre company and masters in “immersive” presentation theatre. As part of the Arts Council, Nesta and AHRC Digital R&D for Arts and Culture Fund, Punchdrunk has been experimenting in connecting the online and physical performance spaces.
In particular, Pete and Punchdrunk have been working on connecting a live Sleep No More audience member to an online companion, but when I caught up with him he admitted the project has not been without its challenges, all of which he says have made the project think more carefully about planning and operating – something arts organisations can learn from as well.
“The Atlantic Ocean was a massive challenge in itself, as was working in three different teams in three different cities,” said Pete. “I’m not sure we actually fully overcame this but regular Skype meetings, a pretty constant stream of conversation and making the most of what little face-to-face time we had helped.”
He also added that it can be incredibly challenging integrating a new piece of work into an existing production: “The project attempted to connect two online and offline participants, but this had to happen in a show which demands the audience be silent and turn off all mobile devices, which makes it quite difficult to facilitate.”
But Pete actually saw this, in part, as an advantage because it forced the team into working around something specific and focused: “Interestingly these parameters helped shape the project and gave us debilitating but important boundaries – ultimately, we had to embrace these and find distinct moments for communication.”
Another challenge that Pete mentioned was time: “It was a massive challenge, and we could have done with much more and also a second iteration of the project.” But learning from these kinds of challenges is what will make the next rounds of experimenting and testing so successful.